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Chris Carmack in Entertaining Mr. Sloane

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'Mr Sloane... You should wear more clothes, Mr Sloane.  I believe you're as naked as me.'


Entertaining Mr Sloane
 Roundabout Theater Company, Laura Pels Theatre
March 16 through May 21, 2006

Playwright: Joe Orton
Director: Scott Ellis

Cast:
Alec Baldwin (Ed)
Jan Maxwell (Kath)
Chris Carmack (Sloane)
Richard Easton (Kemp)


Today's salute to English playwright and author Joe Orton's play Entertaining Mr Sloane comes thanks to actor Chris Carmack. It started last month while trying to find images of Carmack to celebrate the actors December 22nd birthday. I kept coming back to images of Carmack, along with co-stars Alec Baldwin and Jan Maxwell from their roles in the 2006 Off Broadway staging of Orton's play. The images, most by renowned Theatrical photographer Joan Marcus had me wanting to see more, and learn more about the play. I couldn't find bigger sizes of the images, but these should still give you a glimpse of why I wanted to see more.


Marcus's images, especially of Carmack's beautiful chest, had me, along with Baldwin's Ed, and Maxwell's Kath, salivating for more. The Off Broadway run had a short term run, even shorter for actress Jan Maxwell who left with about a month of performances left, supposedly due to Baldwin's behaviour. she was replaced for the shows final performances by actress Barbara Sims.


Maxwell was universally praised for her turn as Kath, but the revival mostly got his and miss reviews from critics. Baldwin was loved by some, disliked by others. Carmack was generally praised for his looks, and ability to draw attention from both the play's main characters, and the audience, but many felt he did not have the 'edge' required for the character of Sloane. With only the reviews, ad Marcu's production photos, I would have loved to have seen this version. Carmack is bewitching for sure, but I would have loved to have watched Baldwin and Maxwell sink their teeth, and their considerable acting chops, into trying to get Sloane's attention.


'Sleek as a walrus in Savile Row-style suits and spectacles, Mr. Baldwin starts off very funny, as the officious Ed's eyes light up at the first glimpse of a half-naked Sloane.'



Favorite Pic of the Day for January 8th

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Above:
Chris Carmack photoshoot
2006 Production of Entertaining Mr. Sloane
-See More Below-

~Check out today's Birthdays HERE:~

Immaculate Perception: George by Greg Lindeblom

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First Shoot (November 2006)

'George was my muse. We explored so many different themes and concepts. George was perfect. His skin, his eyes, his physique ... there wasn't a flaw. He was a joy to work with he worked hard on every shoot and was proud of the work.we accomplished.'


Regular readers of FH know how important 'story' is to me. Although the site's focus may be on visual depictions of the male form, my focus is also on story. One of the recurring themes I love to explore is relationship. Relationships between artists and their craft, models and their bodies and of course the relationship between photographer and subject. Some photographers meet, shoot and edit images of models they barely know, speak to, or ever see again. Other photographers work at forging a connection with their subjects, getting to know their passions, their skills and incorporating what they learn in the work, creating more intimate and dynamic imagery.


But as we all know, relationships are not static, they're constantly changing and evolving, and ultimately, most end. Florida based photographer Greg Lindeblomshot more with George than any other model. Between 2006 and 2010 they shot five times together, the first four shoots occurring in 2006 and 2007. Sadly, their shoot in 2010 would be their last. Sadly George died suddenly in an accident several years later at just 37 years old. Greg says that even today, years later, those who were close with George remain heart broken and in shock at the senseless loss of the vital and gentle soul that they knew George to be.


I usually go back and forth when it comes to featuring the work of a model who has died. Ultimately, it is that relationship with the photographer who shot him, and the words of those who knew him best that guide my decision. With George, the decision was an easy one. George was like a burst of energy, a nationally ranked sprinter and great overall athlete. Greg's images of George not only capture a time when the young model was in peek physical condition, but also a time when his life was on a hopeful path and a positive, successful future was awaiting his next steps.

Second Shoot (December 2006)

'My second shoot with George was in December 2006, about six weeks after our first shoot. This time, we did more athletic poses. I called this the Olympian series. George was such a natural in front of the camera. By incorporating sprinting into the shoot plan, we created images that really showed off his gorgeous physique. The sprinting images were some of George's favorites. I made a print for him of one of his favorites and he was thrilled.'


Greg wasn't the only photographer to enjoy shooting with George, or to sing his praises. In both his home in the UK, and his 'second home' in Florida, he was a favorite of all who had the privilege to to work with him. Greg describes him as a real chameleon, a model he was always excited to work with due to his changing looks each time that they got together to shoot. As an athlete and sprinter, a focus on form, athletic poses and movements was always at the foundation of their work together.


Third Shoot

'My third shoot with George was just a week after the second. This time we stayed outdoors, shooting at a friend's outdoor shower and I often used a drop cloth and had models float on it, posing as they were inspired. Here are a couple of George's.'


In addition to George's incredible physique, and his proficiency with utilizing his athleticism in incredible poses, I most struck by George's incredibly beautiful and expressive blue eyes. If eyes are the windows to the soul, you can see subtle changes in both George's physical appearance, as well as the degree of light and energy in his eyes between Greg's first shoot in 2006 and their last shoot in 2010.


George's eyes also appear to offer a hint to some of what he has been going though, and the life experiences that we all go through and endure. George's eyes also seem to show a bit of the wear that those with gentle souls often must carry, especially someone like George, whose profession was as a nurse, and whose focus was so often on the well being of others. Gentle souls are usually not the product of easy, pain free lives, instead usually, just the opposite.

Fourth Shoot (September 2007)

'My fourth shoot with George was in September 2007, eight months after our third shoot. George's look was so different. He had trimmed his hair dramatically and had added substantial power to his chest. We shot both indoors and outdoors. The studio shots were almost brooding and I kept the light very low for these images.'


Greg shares that over the years, especially as they became closer friends, George's focus on others was always at the forefront when they got together, both in the Florida, and also when Greg visited him in the UK. I especially love the beauty, and maybe the sadness in Georges eyes in the image below. Greg has captioned the image 'George remembered' and is a beautiful tribute to their work together. I am grateful to Greg for sharing his images, and especially his stories of his work with his friend and muse.


'My last shoot with George was three years later in March of 2010. In that time, his look returned to the sweet, almost angelic appearance of our first couple of shoots. We reprised some work from years earlier, both outdoors and in the studio. Rather than emulating an athlete, I put a sword in his hand and he again showed the impeccable form I first saw three years earlier. It was a wonderful time and we enjoyed the shoot immensely.'

Fifth Shoot (March 2010)

'Over the next five years, I saw George when he came to Florida for his annual visit. We had dinners and coffees. We talked about shooting again, but didn't do it. There was always going to be a next visit for that shoot. When George died suddenly at only 37, everyone who knew him was in shock and distress. We learned again that life is fragile and that we need to make each day count. I am so thankful that I had an opportunity to work with George as a model, but even more to become a friend.'

I, Timothée

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Although I didn't have time to put together my annual Golden Globe nominee post, I did get to watch most of last nights telecast. I loved Call Me By Your Name, but wasn't really thinking it's cast were going to home with the award. Both Armie Hammer, and especially Timothée Chalamet put in beautiful performances, but maybe too subtle for the Foreign Press. I did think the film might win, but it was a really great year for film, and a very competitive year for actors in great roles.


Chalamet always looks great and was dashing in his tux, but he was no more adorable than when noticing the former figure skater seated near him at the awards. At only 22, the young actor wasn't even born in 1994 during Harding scandal, but thanks to the brilliant I, Tonya, her name is again back in the headlines.



If you haven't seen 'Call Me By Your Name' yet, try to check it out if you get the chance. It's a gorgeously shot film with a story so many of us can relate to. There is often an obsessive element to first love, one that although you get over, you never truly completely shake or forget. The film so beautifully captures this time in a quiet, yet powerful way. Chalamet and Hammer hit the notes of their roles perfectly on pitch setting a compelling tone they maintained throughout.


Summoning the September Sun

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'No matter how many times you go to Lake Powell, there is always renewed awe at how grand and beautiful the place is.'

Yorgen

For those dealing with the Arctic air mass that has been hovering for the last few weeks, I may have a cure. When cold and frigid, the best antidote that I know is an intense infusion of heat. One of the hottest series of images on FH the last 12 months was last Autumn's Utah shoot featuring the work of Gordon Nebeker, Mike Tossy and Studio MG Photography. The trio of photographers shot models Yorgen and Devin under the heat of Lake Powell's September Sun.


In addition to pulling together his favorite shots in a book, Muscles & Mountains: Lake Powell II, photographer Gordon Nebeker is also showing a selection of images from the shoot in a photo exhibition in Fort Lauderdale FL beginning on January 20th. If you're in the area, Gordon invites you to drop by, check out the images and say hello. If you need any addition incentive, Yorgen will be on hand for the opening to meet, take pictures and interact with attendees of the exhibition.

Snowman

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Where does one... stick the carrot?

Favorite Pic of the Day for January 9th

An Intimate Gathering by Richard Rothstein

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'Telling stories with my cameras. some true. some imagined. always New Yorkish.'


Most great stories involved a reveal. A surprising plot twist that writers build towards page after page. On FH, the story is visual, and if I do a decent job with presenting the images, hopefully there is also a reveal. Often the reveal is focused on a model's body, other times, the reveal is rooted more in the detail. A piece of information about the artist, model or shoot that is more based on an interesting or revealing chapter in the creation of the imagery.
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Most stories focused on images of the male form begin with just two main characters, the artist and the model. Given the intimate nature of nude modeling, most of the shoots I feature involve just a photographer and model. Given this, it is always interesting to me to explore shoots that involve an additional set of eyes. Those eyes might be a partner or chaperone brought by a model. They may belong to PA or make-up artist. Quite often, they belong to a second or third photographer during a group shoot.


It is always fascinating to me to explore shoots that involve additional sets of eyes. Partly, due to the voyeuristic element of having not just the main participants, but other observing the creative process. Whenever I feature a group shoot, or a shoot executed outside or in a public setting, I always ask about additional eyes. My curiosity is not only about how the observer, their reactions and thoughts, but on the impact of those eyes on the model and photographer.


Unplanned observers are nothing new for Richard Rothstein. Given Richard's mains studio space is Manhattan, he and the models he shoots deal with additional sets of eyes almost every time they shoot. Although most of Richard's New York street shoots occur between midnight and sunrise, that doesn't necessarily guarantee they won't be observed. In fact, although the streets may be a little quieter, you can only imagine the many sets of eyes peeking through curtains from windows above.


This audience however, isn't one that is necessarily planned, it is simply a expected side effect of shooting outside and in public locations. The two stunning modes in this set of images however, were not shot by Richard outside. They were also not shot in a traditional studio setting.


Although the images have a distinctively intimate look and feel, there were many additional sets of eyes on the two models, eyes that were not only planned for and expected, but also attached to active participants the process. Richard has titled this series 'The Therapy Shoot'. a title I think fits perfectly for it's curative impact and the healing effect on all of those involved.


'I can’t speak for other cities, but Manhattan bars started this thing about three years ago or so as one of their nightly promotions: providing life drawing sessions in their lounges…Therapy is Sketchy Saturdays, Rebard is Drink ’n Draw and their are a few others. They pose near nude and nude models in the center of the floor or an a stage and they provide pads and pastels…and everyone drinks and draws and sketches.'


'As a photographer, I’ve never bothered with these, but my best friend Brian finally talked me into going to one a Therapy… After asking if photography would be permitted…and it was.., and I loved it!!! It challenged me because you know I prefer to move my models and create a narrative, especially outside in the streets. Here I was faced with a series of stationary poses intended for drawing.'


'I quickly warmed up to the setting, with it’s own feeling, very unlike a studio… very moody, sexy, sensual. I found myself intimately studying the male form in ways I had not done before. It even made me just a little uncomfortable… but little by little I was swept away and even found my narrative in their poses, the musculature of their bodies, the ink, the eyes… I also very much enjoyed the feeling of photographing a posed model who in a room full of artists who were interpreting the men in their own unique ways. I do regret not photographing more of the art..and will do next time,….but I did capture many of the faces of the artists.'


Richard Rothstein on Instagram and Redbubble



Media Men: Johnny Stone

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Most of my introductions to adult film stars starts with an image. This was certainly the case with Johnny Stone who I first discovered on Instagram. Johnny describes himself as a 'self-made' model and his great face and adorable smile certainly belong in front of the camera. Johnny does a lot of web/cam shows and I looked for and caught one last month that featured Johnny hanging out with another guy.


The other guy seemed to be a friend, and although they were't having sex, they were interacting physically (horse play/butt spanks) and seemed to be having a lot of fun with each other. I didn't necessarily assume Johnny was gay, it was clear who the audience he was going for was.


Most of Johnny's images on his Instagram and Twitter were of Johnny alone, but he seems to have moved into the doing more male/female videos and his images of late are reflecting that. Regardless, I encourage you to check out his pages, he is adorable and quite talented and creative with the images he takes and posts of himself.


Johnny Stone on Instagram | Twitter



Pull Through

Happy Birthday today January 11th

Favorite Pic of the Day for January 11th

Sans Suit: Mike Addams by MW Photo MD

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'What I like most about modeling is the inspirational part of it. I know it sounds kind of corny but hearing that one person stopped feeling bad for themselves and went to the gym because they saw my picture is more amazing than getting 500 likes on a picture. Photographers I've worked with have really connected with that message as well.'


We have all at one time or another we have all fantasized about someone we have worked with.  It could be a co-worker we see and interact with every day, the security guard we nod to each morning or the maintenance guy who always seems to be much busier than anyone else. It could be a boss, an intern or the guy who fixes the photocopier, the guy that has you dreaming of a paper jam.


For the most part, we usually only see our office crushes in their business attire, in there cotton polyester blend suits, their uniforms or business casuals, in most cases, seeing them sans suit is something reserved for our imagination only.  We can only imagine what under the suit, boxers or briefs, leather or lace, or maybe nothing at all....  This scenario instantly came to mind whenMW Photo MD's Mark sent along this series of images of model Mike Addams, in and arousingly out, of his business attire.


Sometimes it can be surprising, and even a little jarring, to see a co-worker out of the clothing you're so accustomed to seeing him in for those 40 hours every week. I love when you see a guy, a guy usually seen buttoned down in a suit and tie, in another setting, now wearing casual clothing, or maybe no clothing at all. Maybe it's the tight jeans he wears on Friday's, jeans that finally frame is ass in a way those dress pants couldn't. Maybe it's in shorts at an office baseball game, or a surprise meeting in the gym locker room on a Saturday afternoon. Sometimes getting a quick glimpse of what lies beneath that suit, makes heading to work on Monday morning something you start looking forward to.


Mike reached out to Mark through ModelMayhem and Mark after checking out Mike's port on MM and spending time on his tumblr Mike reached back about scheduling a shoot. Mike liked what he saw and knew he needed to add shots of Mike to his profile. Mark shares that Mike arrived at the shoot well prepared with a nice variety of outfits and props to work with. With so many options, it was little hard to choose what look to begin with, but after some discussion, it was the dressy look they began with.


'My vision going into the shoot was kinda of "Tom of Finland" based and well some shots will have to be shown on other media than Model Mayhem and Instagram as the censors could wreak havoc, even thought deep down inside I know they would love all of the shots that we did.'


Mark is spot on about his work with Mike, in fact some of the shots are even a little too hot for FH!  I did a few teasers on The OVER-FLOW, but you may need to check out Mike's sites, especially his ONLYFANS to see more...  Mike's confidence and sexual certainty in front of the camera wasn't always as strong it is is now, and is actually something that has grown over his time in front of the camera.  Mike's describes his modeling as arising as an offshoot to his presence on social media.


In the beginning, he posted mostly images that he took himself, it was Mike, a tripod, his iPad and remote shutter. Mike's goal with his imagery, beautifully evident in their title 'Over40NotDead, is promote his body positivity for bigger guys, and guys over 40. 'I'm not perfect and I have flaws and I'm proud of those. I have so many followers and friends saying if I can do it, so can they.'

As Mike gained more of those followers, many, including some who were photographers, complimented his images on not only their beauty, but their composition and style. Mike loved the feedback, on his look, and his photography, and it helped and motivated  him to develop the confidence to work with additional photographers on his shoots.  One of his most recent shoots was with Mark, someone Mike shares made him feel comfortable from their very first handshake.  He describes the shoot as an awesome experience, one that he can't wait to repeat  in the future!


'I was attracted to Mark's portfolio because in his photography, he lets the model do all the work. Some photographers do too much processing or overly dramatic styling but Mark's style was just to let simplicity rule. It's actually harder than it sounds and I really like that about his pictures. The shoot itself was so much fun. It was in a great studio in Washington DC. Basically he gave great direction and let it go from there, letting me be me. It was very collaborative. I listened to him and he listened to me, and I think that's evident in the pics. Even though we got our groove on very early in the shoot I was still sad to see the shoot end because I felt like we could have done a whole bunch more.'



A Vintage Vantage: Brandon De Wilde

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I had never heard of actor Brandon De Wilde (sometimes spelled deWilde) until late last year while watching a airing of the 1963 Paul Newman film Hud. As some of you might remember, I used to have an issue with films made before I was born, especially black and white films. I am not sure why, but most of my life, I avoided them like the plague. Thankfully, with some great suggestions some blog readers and friends, I have fully embraced classic films, and now usually prefer them over most of the movies currently being made.


After Elizabeth Taylor died, I watched many of her films, including one of my favorites, Cat On A Hot Tin Roof with Newman. (A Ton of Bricks) This led me to a couple of other of Newman's Southern themed movies, Sweet Bird of Youth and The Long Hot Summer. I decided to branch out last year, enjoying Newman's turn in Cool Hand Luke, which I posted about HERE: This had me looking forward to check out his role in Hud.

With Patty Duke presenting at The Academy Awards, 1964

I can't say I nessessarily enjoyed Hud as much as the other Newman films I watched, but the performances were all top notch, especially Newman, Melvyn Douglas (who won Best Supporting Actor ) and especially Patrica Neal who won a Best Actress Oscar for her role. Actor Brandon deWilde was also a stand out in the role of Hud's nephew Lonnie. A child actor on Broadway at the age of seven, De Wilde was also nominated for an Oscar for his role in the 1953 western Shane.

De Wilde with wife Janice in 1972

For those of you who have seen Hud, there is a rather hot scene of the young Lonnie, naked in bed (nothing shown) with Patricia Neal's character Alma, the family's housekeeper, teasing him about pulling off his sheets to get him out of bed. Alma is such an interesting character and although not a part of the family, is central to the films drama. Some of the scenes between Alma and Hud would most likely not go over as well for today's audiences, but the film had many riveting scenes, all in the hands of a group of such talented actors.

Hud (1963)

De Wilde went out to work steadily in film and on television throughout the sixties and early seventies. Sadly, De Wilde died at the age of 30 in 1972. While in Denver Colorado for a stage production of Butterflies Are Free, De Wilde was killed in a traffic accident while driving a camper van that went off the road and crashed into a guardrail then a parked truck. The camper rolled onto its side, pinning the young actor and leading to a broken back and neck. Although I am not a huge fan of westerns, De Wilde's performance of Hud is going to have me keeping my eye out for airing of Shane and other of the actors work.



Five & Ten

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Briley by Suntown Photo

'I thought about what changes I might like to make in year seven. Drop the birthdays? Post less often? Move to a tumblr? Write less?'

Joe P by Studio1x

The quote above comes from a small piece I wrote around the time FH was turning 7. Every year, around the site's anniversary I think about the future of FH. Do I want to continue, do I want to continue the same format, the same design, the same focus. Every year I think about changing, but thus far, have always stuck with the same formula.  Last year, when FH moved into decade #2, those 'should I continue' thoughts again began swirling around. Tumblrs have always been an easy alternative, and new sites like OnlyFans has caused some artists and models to have less interest in a site like FH.

Derron by takeapic4u

Ultimately though,  I always find new work, new images and new inspiration that motivate me to continue. Images and artists and shoots I get excited to share.  All of the images in this piece are actually images that I didn't have room for in original stories that I put together in 2017. I still get excited to discover new work, new artists and new models. I still get excited uncovering interesting stories about the male form, whether it be focused on a model or photographer, a celebrity or nude scene, or the male form in a news or other media story.

Rush Firestone by Virgin Islands Pictures

Maybe most importantly, I love the relationships FH has helped create. The photographers and models who have contributed their work over the years, becoming regular, and welcome parts of FH. It is those artists in particular, the artists whose work I have loved and followed, the artists who support my featuring their work again and again. I also am motivated by the large and loyal group of readers who check in every day or two. The readers who e-mail asking 'what's up' when I have not updated in a few days, and the readers who e-mail asking for more images of the artists and models they love and connect with.

Jacob Dillon

Yet... I know FH is in need of a make-over. Although I love the five post a day format I have been doing, it feels a bit tired and outdated to me lately. I love what I have accomplished with FH and the incredible artists who have trusted me to share their work and don't want FH becoming a Myspace. (If it hasn't already)  So.... a needed format change is coming.

I am not exactly sure when, I am still struggling with abandoning the five post format that I have been doing for so long. It may be next week, next month or the summer. But, by leaving the five post format, I hope some of the 'news' content may be fresher. Instead of waiting to have a full artist profile, or of waiting for a full five posts, I can post anytime a piece is ready.   This may not mean more content, but will mean FH is updated more frequently as stories are ready to go. We shall see how, and when... it goes....

Jonah by MW Photo MD


Happy Birthday today January 13th

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Celebrating a beautiful 41st full Bloom!

Check out more of today's Birthdays HERE:

Favorite Pic of the Day for January 13th

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Blast from the Past: Ted Wass

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Blossom (1991-1995)

The other, while flipping TV channels I noticed the 1991 comedy Blossom had replaced Everybody Loves Raymond on one of the comedy networks I check out. I never watched the sit-com when it first aired, although I do remember crushing over Joey Lawrence. My connection to Blossom was mostly the images and pin-ups of Lawrence I saw in teen magazines. I watched a few minutes and although Mayim Bialik is talented and engaging, I am a little old for the show now, guessed I missed my window...


But... I watched enough to be reminded of hot hot Blossom's day Nick Russo was, in his tight, yet high waisted mom-like jeans. Most people most like know actor Tedd Wass from his time on Blossom or his time playing Danny Dallas on Soap, a show I was too young to watch when it aired, but keep meaning to check out on DVD.


The tall, lean, sexy and talented Wass got his start on stage and made his Broadway debut as Danny Zuko in the original Broadway production of Grease. Wass trained as an opera singer but moved mostly to performing rock as both a lead singer and guitarist. Wass' music background was used for his role on Blossom character who was also a musician. After appearing on Soap, Wass moved to the big screen with a series of relatively high profile roles through out most of the 80's.

Soap (1977-1981)

By the late 80's, Wass was back on television, and his role on Blossom was actually the actors last acting role ever. Wass directed quite a few episodes of the sit-com and when it was cancelled in 1995, he moved behind the camera permanently. In addition to Blossom, Wass has directed episodes of Coach, Caroline in the City, Spin City, Two Guys a Girl and a Pizza Place, Two and a Half Men and most recently Last Man Standing, Mom and The Odd Couple.


With Soap co-stars Billy Crystal and Richard Mulligahn

Baby Sister, TV Movie (1983)

Oh God, You Devil (1984)

Sheena (1984)

It didn't appear Wass had done any on screen nudity when I first searched, but then discovered he had very (very) brief butt scene in 1984's Sheena: Queen of the Jungle. The scene, in the Tanya Roberts led flick, featured Wass buried naked underground for some tribal ritual, with only his head above the ground. He is pulled out and you briefly get a quick glance of Ted's toosh.



Curse of the Pink Panther (1984)

Although not naked, I think one of Wass's hot scenes was in 1984's Curse of the Pink Panther. In the scene, Wass is in a teeny tiny pair of white undies when the woman he is about to have sex with is shot in the neck.




Darren Criss in The Assassination of Gianni Versace

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'Fear and Prejudice... unfortunately, are always in fashion.'
Darren Criss


Last year, images of actor Darren Criss, in his pink pouch hugging speedo's, and in nothing but a towel and some tanning oil, were all over the web. The images, were part of the actors prep for playing serial killer killer Andrew Cunanan in the second season of American Crime Story, The Assassination of Gianni Versace.


Well, the results of all that tanning are in, with a couple of teaser pics of Criss from the first hour of the nine part series that premiere's this Wednesday. Darren's derriere doesn't disappoint and I'm looking forward to some better caps after the episode is broadcast.



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